For All Points-Of-The-View.
BLUES BLAST MAGAZINE
Based out of Jacksonville, Arkansas, the band is a four-piece with Billy on lead vocals and guitar, Corey Bray on keys, Rev. ‘Do Dirty’ Kendrick on bass and Mark Flinoil on drums. Billy wrote six of the songs here with covers of two soul tunes, one country piece and a little known jazz tune, of which more anon. The general style here does match the title with blues and soul both present and correct.
Billy has a convincing soul and blues voice and plays some solid guitar though he is prone to ‘over-excitement’, leading to some grungy, discordant guitar on occasion. Two contrasting songs open the album: “My Love Is Real” is a mid-tempo soul tune with synth horns from keyboardist Corey and nice slide from Billy who doubles up on guitar for the solo section; “Someone New” is a classic soul ballad with gentle chords and rippling piano underpinning some aching lead work from Billy before he delivers a set of lyrics about a love that has gone cold – a good song. The first cover comes from an unusual source – Duke Ellington with lyrics by Don George (who more famously wrote “I’m Beginning To See The Light”) – but Billy re-works “Biggest House In Town” into a straight blues tune with some fine piano and organ work from Corey as Billy plays his cleanest guitar on the most conventional blues cut of the album. “Can’t Let You Go” was a 1974 Homer Banks tune written for Stax act The Soul Children; here it gets a deep soul treatment with string effects and some of Billy’s most torrid guitar. Billy doesn’t seem to have a lot of luck in his love life as “Love Nobody Else” follows on a similar theme, Billy’s guitar having some Santana references to these ears. CLICK THE LINK TO CONTINUE http://www.bluesblastmagazine.com/the-billy-jones-band-funky-blues-...